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Chapter 16 - The House With the Light On

I read the sentence twice before I understood it as a threat.

The first week after the rescue, our apartment changed in quiet ways. I stopped letting the television play during dinner because sudden shouting made Emily jump. Sarah wrote a note on the refrigerator listing three adults Emily could call whenever she was worried. Emily chose a purple night-light shaped like a moon and asked whether she could keep her bedroom door open. I told her she could keep every door open if she wanted.

One afternoon she came into the kitchen carrying the stuffed rabbit she'd owned since kindergarten. “I told it everything,” she said. “When I was outside. I know that's silly.” I took the rabbit and straightened one of its floppy ears. “It isn't silly. You were finding a way to keep yourself company.” She leaned into me for a second, then went back to drawing.

Sarah and I sat together after she fell asleep. “I thought leaving you meant I could make a completely new life,” Sarah said. “I didn't want you to think I'd failed.” I stared at the two mugs cooling on the table. “I thought giving you space meant I was being reasonable,” I admitted. “I wanted us to look like adults who had figured everything out.”

“Maybe we can stop pretending.”

We made a plan that night. Neither of us would press Emily for a story when she was tired. Neither would turn her fear into evidence for an argument with the other. We would attend her appointments, write down concerns, and admit when we didn't know what to do. It wasn't a dramatic promise, and there was no handshake. But it was the first time since the divorce that we had acted like a team.

Emily was at home with Sarah and me. Officers were parked outside. Our doors were locked. Still, Jason had already reached into hospital security, court records, and police reports. He knew how to make ordinary precautions feel useless.

Ruiz ordered additional protection. Naomi told me not to answer unknown calls. We shut the curtains and left the porch light on.

“Why do bad people always sound so sure?” Emily asked as I checked the back door.

“Because they want everyone else to be scared,” I said.

“Are you scared?”

“Yeah, honey. But I'm here.”

At midnight, the motion light outside blinked on. I looked through the peephole and saw a delivery box on the doorstep.

The officers cleared it before I touched it. Inside was a cheap plastic music box playing the melody Sarah used to sing when Emily was a baby.

Underneath lay a new phone.

It rang.

Ruiz arrived within minutes and arranged to record the call. I answered on speaker, my voice steadier than I felt.

“Ben,” Jason said. “You always thought you were the better father.”

“I never said that.”

“You took everything from me.”

“You locked a child outside and held Sarah against her will. This was your choice.”

He didn't answer for a moment.

“Tell Sarah to stop talking,” he said. “Or the video from the garage becomes public.”

“What video?”

“She knows.”

The call ended.

Sarah's face had gone white. She looked at me, then Ruiz.

“There's a recording,” she whispered. “Jason edited it to make it look like I hurt Noah.”

“And the original?” Ruiz asked.

Sarah closed her eyes.

May you like

“I hid it in the one place Jason would never let anyone search.”

THE THINGS BENEATH THE WATER • 20 CHAPTERS

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